entering lighta

enteringlightb

enteringlightcenteringlightd

enteringlighte

enteringlightf

enteringlightg

enteringlighth

enteringlighti

enteringlightj

enteringlightkenteringlight

enteringlight

 

YFlayAs of December 21, 2012 I am a Vegan.   Thanks to this video by Melanie Joy, PhD.  Shedding light on the animal and the human.

Ysnow2  Yturkeys2  zflay2 zrobbin zsnowbirch zsnowsunset zvege zvegestewBarley Bean Vegetable Soup This was enough for twenty people. Very fulling, flavorful dish. The corn bread, also Vegan, is really delicious. I put in extra maple syrup.

charcoal sketch on paper

oil sketch on canvas

clear wax added

light green oil paint

darker shades of oils added

burnt umber on wall and branches

brown wax painted on

larger white stones painted with gesso

clear wax brushed on stones and shadows added

more shading and highlighting

Final scene

                                                       Our good friend Basil.

candle wax

boiling wax

Sketch on canvas in black oil.

In order to get a true bright white, I paint melted wax on the canvas. It  acts as a resist to the oil paint. After painting over the wax, I’ll scrape it off, revealing the raw, gesso canvas underneath.

Added background

Added background.

Clear wax is applied and then Sap Green oil.

Yellow and brown oils are added.

Green wax and brown wax are brushed on.

Blue paint is added.

Some wax removed, trees in distance and ground painted.

Most of clear wax removed.

Blue sky painted in.

Paint removed over tiny wax particles. Trunk and branches painted in Mars Red.

oil pastel sketch

With this painting, so much time went by as I struggled with placement, hues, light, pretty much all of it. There were a few major changes to the objects in the room. I had originally painted two pillars, then one, then ten of them, and back to one. I liked one the most, it gave a more unusual feel that has become a signature for the bleedthrough (past) series; rooms that are slightly angled and reach far into the distance, emanating an unknown feeling.

charcoal sketch

Here, a  massive room, with what appears to be afternoon light pouring in, was titled from the very beginning, “Last Day”. The intent for this piece was strong and stayed very much alive, even when I didn’t paint or look at it for days. Months went by and I still knew the feeling quite well whenever I approached it. The space is out of a dream where souls go after their life is over and a new one is about to begin. The room is always empty, but has remnants of spirits living on, unseen. The rush of light warms the space and I imagine walking through to another life. The feeling is of anticipation, similar to the last day of school where everyone has been let out and you still remain, perhaps just wondering around, finishing up and getting ready to go with unfamiliar excitement in your heart. A bittersweet feeling comes into play as well. When the lessons are finished and still fresh in our memory, a tinge of longing and loneliness present themselves, allowing us to ponder at what has been, knowing that it’s gone forever.

removing wax layers

Painted in a style categorized as abstract deconstruction, where the surface of the painting is built up with layers of wax and oils and then scraped away to uncover the raw canvas underneath. This particular style creates an unraveling effect of ages gone by, memories uncovered from another place and time.

 

 

Dyeing eggs with blueberries, turmeric, spinach, red cabbage and cheese cloth.

 

It’s spring fever.  That is what the name of it is.  And when you’ve got it, you want – oh, you don’t quite know what it is you do want, but it just fairly makes your heart ache, you want it so!  ~Mark Twain

A sudden death of a friend has left us shocked and bewildered. She was bright and full of laughter, so solid a person and beautiful.  I would like to dedicate these three recent paintings to Melissa.

 

 

When you were born, you cried
and the world rejoiced.
Live your life
so that when you die,
the world cries and you rejoice.

White Elk